For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, ont...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

Over 100 years of speculation and controversy surround claims that the great 17th-century Dutch artist, Johannes Vermeer, used the camera obscura to create some of the most famous images in Western art. This intellectual detective story starts by exploring Vermeer's possible knowledge of 17th-century optical science, and outlines the history of this early version of the photogr...(展开全部)

菲利普•斯塔德曼是伦敦大学学院城市与建筑形式学教授。他接受过建筑学教育，曾在剑桥大学及英国开放大学任教。他曾出版几本有关建筑当中的几何形式和计算机辅助设计的书籍。在20世纪60年代，他编辑并出版了《形式》[Form ]杂志，这是一份艺术季刊；他还和其他作者合作出版了一本有关动态艺术的书籍。1989年，他帮助伦敦的一个展览制作了四部有关列奥纳多•达•芬奇作品的数码动画。他也曾参与其他有关透视几何与艺术史的展览、电影与书籍制作。《维米尔的暗箱》是斯塔德曼对维米尔这位荷兰艺术家长达20年的痴迷的成果。

This epic tale about the effects of the Russian Revolution and its aftermath on a bourgeois family was not published in the Soviet Union until 1987. One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an inter...(展开全部)

This epic tale about the effects of the Russian Revolution and its aftermath on a bourgeois family was not published in the Soviet Union until 1987. One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an inter...(展开全部)